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Posts Tagged ‘Lucy Kirkwood’

I saw Chimerica recently at the Harold Pinter theatre.  I came out feeling extremely positive – it’s an exciting piece of theatre.  The set really is extraordinary, and usually if one is commenting on the set, the production must have been pretty insignificant.  But in this instance, the set and the production are of a very high standard.  It’s a piece that exercised my brain, made me concentrate on keeping up with the ideas.  It wasn’t until later that I started to feel it had all been a bit…hollow.  I think it was because the Western characters felt a bit like cyphers.  They didn’t convince as real people, with complex emotional hinterlands.  The love story was just cheesy (although when the characters were less emotionally involved I found their relationship credible – awkward and hesitant and funny).  Some lines felt lifted from a bad movie (‘I love you, and I think I’ve been in love with you for a very long time’), and the revealed pregnancy at the end was cliched and unconvincing.

Zhang Lin seemed a much more believable character.  I found his emotional statis compelling, the tragedy deepened when we learn, or remember, how the events of the Tiananmen Square uprising have been utterly excised from Chinese history and public discourse.  He cannot grieve, because what happened to him did not happen to him.  He is completely lost.  This storyline has enough poignancy, it does not need to be made into melodrama by turning Zhang Lin into ‘Tank Man’.  Perhaps it was supposed to be representative, but it felt heavy-handed.

I’m not sure I learnt much that was new to me, not because I’m any kind of expert in Chinese politics, but because we were not presented with viewpoints that would suprise us.  That doesn’t make them untrue, or even cliched, but I would like to have had some of my preconceptions challenged, rather than reinforced.  I hadn’t, however, thought much about Tiananmen Square since not long after it happened.  It was therefore important to be reminded.  Particularly because the Chinese public are not allowed to be.

It’s a very impressive piece of writing and staging.  I enjoyed it a lot.  The playwright is still very young, and what lies ahead must be work of even more sophistication, deftness and emotional maturity.

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